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Sikorski, Kazimierz (EN)

Biography and Literature

Sikorski Kazimierz, *28 June 1895 Zurich, †23 July 1986 Warsaw, composer, theoretician and teacher. In 1914–19, he studied at the WTM Music School (since 1919 the F. Chopin Higher School of Music), obtaining a diploma in composition in F. Szopski’s class, and in 1915–21 at the Faculty of Philosophy of the University of Warsaw, where he received a certificate of completion. In 1921, he began musicological studies with A. Chybiński in Lviv; in the same year, he became a lecturer at the H. Kijeńska-Dobkiewiczowa Music Conservatory in Łódź. In 1925–26 and 1930, he studied composition with N. Boulanger in Paris as a scholarship holder of the MWRiOP. From 1926 to 1927, he lectured on music theory and composition at the State Conservatory of Music in Poznań. In 1927–39, he was a professor of composition and music theory at the State Conservatory of Music in Warsaw, and in 1927–29 a member of the board of the Association of Early Music Lovers [Stowarzyszenie Miłośników Dawnej Muzyki] in Warsaw, in 1929–39 a teacher of theoretical subjects and a member of the management of the Holiday Music Centre [Wakacyjne Ognisko Muzyczne] in Krzemieniec. From 1940 to 1944, he served as a teacher and deputy director of the Staatliche Musikschule in Warschau, which was in fact an underground music conservatory with a full pre-war curriculum. In 1941–44, he was also a member of the music section of the Conspiracy Theatre Council [Konspiracyjna Rada Teatralna]. After the war, he first worked at the State Higher School of Music in Łódź: in 1945–59 as a professor of composition and theoretical subjects, in 1945–47 as dean of the Faculty of Composition, Theory and Conducting, and in 1947–54 as rector. In the 1950s, he also started teaching at the State Higher School of Music in Warsaw: in 1951–68 he lectured on theoretical subjects and composition, from 1955 as a professor, from 1957 as head of the department of harmony and counterpoint, and from 1957 to 1966 as rector. On 24 May 1975, he received the first honorary doctorate in the history of the State Higher School of Music in Warsaw. Throughout his life, Sikorski held important managerial positions in many musical institutions and organisations, namely: 1928–29 member of the MWRiOP Opinion Committee, 1928–30 deputy president, from 1938 president of the Polish section of MTMW, 1928–39 member of TWMP (chairman of the Publishing Committee, 1935 member of the board, 1938 president), 1929–39 founding member of the Association of Polish Composers (from 1932 member of the board) and the Professional Music Press Club, 1932 member of the jury of the Olympic competition before the Olympics in Los Angeles, 1935–39 vice-president of the classical music section of ZAIKS, 1936–39 member of the Artistic Council of the Warsaw Opera, 1937–39 president of the K. Szymanowski Society in Warsaw, 1928–33 and 1948–50 co-editor of “Kwartalnik Muzyczny,” 1934–39 co-editor of “Muzyka Polska,” from 1956 member of the editorial committee of “Rocznik Chopinowski” and Complete Works of S. Moniuszko, from 1952 member of the Program Council of PWM, 1954–59 president of ZKP, 1957–63 chairman of the Program Committee of the subject “music education” in comprehensive schools, 1964 chairman of the Scientific Council of TIFC, 1972–80 president of the management board of this society, 1963–66 member of the Council of Higher Artistic Education, and in 1965 chairman of the Polish Music Council. He was a juror in many composition competitions and chairman of the jury of the F. Chopin International Piano Competitions in Warsaw in 1970 and 1975. He was awarded honorary memberships: in 1971 ZKP, in 1977 WTM, in 1983 of the K. Szymanowski Musical Society in Zakopane, and in 1981 – honorary president of TIFC.

Awards: 1935 State Music Award, 1951 and 1975 ZKP awards, 1948 3rd prize at the K. Szymanowski Competition in Katowice for Symphonic Allegro, 1951 2nd degree state prize for music for the film Warszawska Premiera, 1951 2nd prize at the 1st Polish Music Festival in Warsaw for Concerto for horn and small orchestra, 1955 2nd prize at the Polish Music Festival, 1955 1st state prize, 1955 MKiS award for Symphony No. 3 and Concerto for clarinet and orchestra, 1959 Music Award of the capital city of Warsaw, 1964 MKiS 1st degree award, 1981 Jurzykowski Award. Decorations: 1937 Knight’s Cross of the Order of Polonia Restituta, 1952 Gold Cross of Merit, 1955 Commander’s Cross of the Order of Polonia Restituta, 1960 Order of the Banner of Labour, 1st class, 1966 Millennium Badge and Meritorious Cultural Activist, 1976 Łódź Badge of Honor, 1980 Distinguished Teacher of the Polish People’s Republic.

As a composer, Kazimierz Sikorski emerged from the circle of post-romantic tendencies, but he always had a favourable attitude towards new music. His work developed evolutionary, from late romantic style (Symphony No. 1, String Sextet) to neoclassical (7 concertos for wind instruments) and non-avant-garde contemporary style (Concerto for bassoon and orchestra, based on the dodecaphonic technique). Sikorski’s works are characterised by a wealth of means: simple homophony alongside sophisticated polyphony, archaization and frequent use of Polish folklore, combining strict forms with expressive values ​​and lyricism (e.g. in Symphony No. 3, considered one of the composer’s greatest achievements, baroque formal scheme and modal melody combined with neo-romantic expression). His works are characterised by a logical structure and clear texture (choral songs a cappella). Kazimierz Sikorski was the founder of the Polish school of composition, in which the emphasis was placed on the development of individual creative predispositions, supported by perfect mastery of the compositional technique. He did not impose a specific style on his students and accepted their attempts to find their way in modern times. He believed that “…the most important principle that should apply to every creator, regardless of their search for modernity, is the principle of respect for tradition, without which there is no progress.” (Z. Sierpiński Szczerość wypowiedzi). He educated approximately 50 composers and music theorists. His students included G. Bacewicz, J. Bruzdowicz, T. Baird, J. Ekier, S. Kisielewski, A. Koszewski, Z. Krauze, J. Krenz, R. Maciejewski, A. Malawski, M. Małecki, B. Matuszczak, T. Paciorkiewicz, R. Padlewski, R. Palester, A. Panufnik, K. Regamey, K. Serocki, T. Sikorski, M. Spisak, H. Swolkień, A. Szaliński, A. Szałowski, M. Zalewski.

Kazimierz Sikorski has made great contributions to the creation of pedagogical literature, both practical and theoretical. Almost all of his compositional work was closely related to his teaching activities. Solo concertos, which are actually concertante symphonies, have both great performing and pedagogical values. Sikorski was always interested in the musical education of children and youth. Already in the interwar period, he participated in the work of the Constitutional and Program Committee of the Ministry of Regional and Environmental Protection [MWRiOP] and was a co-creator of the reform of music education, which was implemented only in 1946. He recorded his extensive knowledge and pedagogical experience in textbooks, which in the post-war period filled an acute gap in the needs of music education in Poland. His textbooks on harmony, counterpoint and instrument studies constitute an excellent compendium of music theory, intended for the teacher rather than the student, thanks to their extremely detailed and extensive treatment of the subject. The undertaken musicological studies and many years of contact with A. Chybiński resulted in fruitful editorial cooperation in musicological journals and editorial cooperation in the field of early Polish music. His basso continuo performances in several dozen published works are characterised by excellent knowledge of style and high contrapuntal skill. Sikorski’s compositional legacy can be found in the National Library in Warsaw.

Literature: H. Feicht Kazimierz Sikorski jako teoretyk propedeutyki i kompozycji, “Studia Muzykologiczne” V, 1956; Z. Sierpiński Szczerość wypowiedzi, interview with Kazimierz Sikorski, “Tygodnik Demokratyczny” 1981 no. 15; Kazimierz Sikorski. Życie i twórczość. W 100-lecie urodzin Profesora, ed. H. Kowalczyk and K. Jaraczewska-Mockałło, Warsaw 1995 (includes complete bibliography).       

Compositions and Works

Compositions:

Instrumental:

String Quartet No. 1, 1915

String Quartet No. 2 in D major Op. 4, 1918

String Quartet No. 3 Op. 5, 1919, lost

String Sextet in D minor Op. 6, 1920, premiere Paris 1926, published in Warsaw 1930 

Symphony No. 1 Op. 5, 1919, premiere Warsaw 1923

Symphony No. 2 Op. 8, 1921, premiere Poznań 1928

Concerto for clarinet and orchestra, 1947, premiere Warsaw 1947, score published in Kraków 1960, piano reduction Kraków 1959, 3rd ed. 1982

Concerto for horn and small orchestra, 1948, premiere Warsaw 1951, score published in Kraków 1954, piano reduction Kraków 1951, 5th ed. 1993

Symphony No. 3 (as concerto grosso), 1953, premiere Warsaw 1954, published in Kraków 1957, April 1969, performed in Warsaw 1974, published in Kraków 1984, May 1979, performed at Warsaw Autumn Festival 1980, published in Kraków 1983

Concerto for flute and orchestra, 1957, premiere Warsaw 1958, score published in Kraków 1961, flute reduction Kraków 1969, piano reduction Kraków 1968, 3rd ed. 1982

Symphony No. 4, 1983, premiere Warsaw Autumn Festival 1985

Suite in E minor Op. 2 for string orchestra, 1917

Symphonic Poem, 1939, lost

Overture for small orchestral ensemble, 1945, published in Warsaw 1946

Obrazki wiejskie, suite for small orchestral ensemble, 1945, published in Warsaw 1946, version for wind orchestra published in Warsaw 1952

Symphonic Allegro, 1946, premiere Kraków 1948, published in Kraków 1946, 2nd ed. 1948

Suite from Istebna for small orchestra, 1948, published in Kraków 1950

Uwertura popularna for orchestra, 1954

Concerto for trumpet, string orchestra and percussion, 1959, premiere Rzeszów 1961, piano reduction published in Kraków 1961, 5th ed. 1995

6 dawnych tańców polskich for orchestra, 1963

Poliphonic Concerto for bassoon and orchestra, 1965, performed at Warsaw Autumn Festival 1966, published in Kraków 1968

Poliphonic Concerto for oboe and orchestra, 1967, premiere Poznań 1972, oboe reduction published in Kraków 1979, piano reduction Kraków 1978, 2nd ed. 1995

Poliphonic Concerto for trombone, 1973, premiere Poznań 1978, published in Kraków 1977

Four Polonaises of Versailles for orchestra, 1974, premiere Warsaw 1974, published in «Biblioteka Zespołów Instrumentalnych», Kraków 1980

Symphony No. 5, 1979, premiere Warsaw Autumn Festival 1980, published in Kraków 1983

Trzy kanony na jeden temat for string orchestra, 1981, published in Warsaw 1983 

Vocal and vocal-instrumental:

Motet for choir and organ or string orchestra, lyrics J. Kochanowski (Psalm VII), 1916

Stabat Mater for bass, choir and organ, lyrics Jacopone da Todi, transl. J. Gamska-Łempicka, 1943, premiere Łódź 1949, published in Kraków 1947, version for solo voices, choir and orchestra, 1950

Pieśń o ludzie naszym for solo voices and orchestra, 1949

arrangements of several dozen folk songs for a cappella choir, published separately or in sets: 

5 pieśni ludowych for choir a cappella, Poznań 1929

Pieśni wybrane for choir a cappella, Kraków 1978

Z pieśni kurpiowskich for choir a cappella, Kraków 1984

arrangements of patriotic and revolutionary songs for a cappella choir

solo songs with piano.

Film music: 

Warszawska premiera, directed by J. Rybkowski, 1951

Pierwsze dni, directed by J. Rybkowski, 1952. 

Arrangements of early Polish music: 

Damian, G.G. Gorczycki, A. Jarzębski, F. Lilius, M. Mielczewski, B. Pękiel, A. Rohaczewski, J. Różycki, S.S. Szarzyński, M. Zieleński

Other arrangements: 

F. Chopin Piano Concertos

F. Lessel Piano Concerto

M. Kamieński Nędza uszczęśliwiona

S. Moniuszko: Halka, The Haunted Manor and overture to opera Flis

F. Janiewicz Violin Concerto No. 5

K. Kurpiński 3 Polonaises

Mazurek for voice and piano

instrumentation of the official version of the Polish National Anthem for various ensambles

 

Works:

Instrumentoznawstwo, Warsaw 1932, Kraków 1950, 3rd ed. 1975

Harmonia, 3 parts, Kraków 1948–49, shortened ed. in the 1st part, Kraków 1955, published in 2 parts: part 1 Kraków 1960, 10th ed. 2003, part 2 Kraków 1961, 9th ed. 2001, a collection of tasks and examples Kraków 1965, 6th ed. 2003

Kontrapunkt, 3 parts, Kraków 1953–57