Astriab Jan, *14 September 1937 Smerekowiec (near Gorlice), †29 March 2005 Poznań, Polish composer and teacher. In 1963, he graduated in composition under S.B. Poradowski at the State Higher School of Music in Poznań. In 1973–74, he studied composition and instrumentation under W. Benson and jazz with R. Wright at the Eastman School of Music in Rochester (New York). From 1963, he lectured at the State Higher School of Music (now the Academy of Music) in Poznań, becoming an associate professor in 1989 and a full professor in 1992. He served three times as Dean of the Faculty of Composition, Conducting, and Music Theory. He was vice-rector from 1987 to 1990, headed a research team since 1993, and was head of the Department of Composition and Music Theory since 1996. He promoted Polish contemporary music, engaging in the organizational and artistic work of the Poznań Music Spring and Warsaw Autumn festivals, as well as composer concerts. He is the winner of many awards, including the ZKP and K. Szymanowski composition competitions in Warsaw, First Prize of the Ministry of Culture and Art (1981), and the Artistic Award of the City of Poznań (1984). In 1995, he was awarded the Knight’s Cross of the Order of Polonia Restituta.
Astriab’s musical style is shaped by his particular interest in harmonic phenomena and the sonoristic values of instruments. These are not only a source of inspiration, but above all a source of creativity, both in terms of the basic, constitutive elements of music and the formal structure of compositions. An important role in the creation of sonoristic qualities is played by the appropriate selection of sound material, the harmonic system associated with the technique of sound centers, and the category of spatiality, which is the result of the search for new textural solutions. Non-musical inspirations related to human emotional and spiritual experiences also play an important role in Astriab’s work. The composer creates a specific sound idiom, characterized by deep emotionalism, condensed expression, and intense tension in the musical narrative. Astriab’s works are distinguished by great attention to detail and formal precision. His style is a harmonious synthesis of traditional and contemporary compositional techniques.
Instrumental:
Sonata for viola and piano, 1957, Krakow 1980
Two preludes for piano, 1965
Metamorfozy [Metamorphoses] for orchestra, 1966, pub. Krakow 1973
Double concerto for flute, clarinet, strings and percussion, 1967; 2nd version 1974
Octet for wind instruments, 1971
Sonores for piano, 1972
Elegy for orchestra, 1973
Diphthong 1–2 for orchestra, 1974; Diphthong 2, pub. Krakow 1980
Frazy for piano and harpsichord, 1975, Warsaw 1977
Dimorphoses for 7 instruments, 1976
Violin concerto, 1980, pub. Krakow 1987
Overture for orchestra, 1985
Four Characteristic Pieces for string orchestra, 1985, pub. Krakow 1993
Ikar for orchestra, 1986
Sonata trzech planet for piano, 1992
Elegy for flute, cello and piano, 1993
Muzyka na letni wieczór for orchestra, 1996
Chamber symphony for orchestra, 1998
Vocal-instrumental:
Four songs for soprano and piano, lyrics T. Różewicz, 1966
Dopowiedzenia for soprano and 4 instruments, lyrics T. Mieszkowski, 1973, pub. Warsaw 1979
3 polskie liryki for narrator, for baritone, choir and orchestra, text by K. Iłłakowiczówna, B. Leśmian, K.K. Baczyński, 1985
Stage:
Ślepcy [The blind men], chamber opera, libretto by the composer after M. Maeterlinck, 1981
Writings:
Nad „V Symfonią” F. Schuberta, in: «Zeszyty Naukowe Akademii Muzycznej w Poznaniu» II, Poznań 1982
System centrowy A. Skriabina, in: «Zeszyty Naukowe Akademii Muzycznej w Poznaniu» V, Poznań 1994
Biografia twórcza i pedagogiczna S.B. Poradowskiego, in: Z dziejów kultury muzycznej Poznania, collective work, eds. J. Astriab and W. Kaczocha, Poznań 1996