Høffding Niels Finn, *10 March 1899 Copenhagen, †3 March 1997 Copenhagen, Danish composer and teacher. From 1918, he studied under K. Jeppesen (harmony and counterpoint) and Th. Laub (composition) in Copenhagen, and in 1921–22 also under J. Marx in Vienna, where he became part of the circle of the so-called Vienna School. From 1931, he taught theory and composition at the Copenhagen Conservatoire. He pursued the idea of universal music education as a co-founder of the Københavns Folkesmusikskole (1931, together with J. Bentzon), as a theorist – the author of Harmonielaere – and as a composer – the creator of a repertoire specifically intended for school orchestras and choirs. From 1949 he was a professor, and in 1954 became director of the Copenhagen Conservatoire. In 1955, due to ill health, he withdrew from public life.
Høffding was initially influenced by the classical school, most fully represented in Denmark by C. Nielsen, whom he regarded as his spiritual mentor. This stylistic sphere encompasses almost the entirety of Høffding’s early output (3 symphonies, string quartets, the cantata Karlsvognen and others), apart from a few attempts to adopt a non-classical aesthetic (Kammermusik Op. 11), in which new combinations of instruments and vocals appear (e.g. the chamber-like Symphony No. 4) as well as fashionable, reportage-style themes (text by E. Kästner, Das Eisenbahngleichnis Op. 37). Although Høffding did not develop this tendency, in later years he also moved away from his original orientation, composing works with non-conventional structures (mainly orchestral and vocal-instrumental fantasies). Høffding’s pedagogical activity is of great significance; given the dominance of German cultural influences over Danish musical life, Høffding considered it necessary to stimulate indigenous musical activity; with this in mind, he produced high-quality pedagogical literature. Høffding’s pedagogical ideas bring him close to the work of Z. Kodály and C. Orff. Among Høffding’s pupils was V. Holmboe.
Literature: R. Hove Tre nordiske symphonikere, «Nordisk Tidskrift» 1936; R. Hove F. Høffding “Kilderejsen”, «Dansk Musiktidsskrift» XIII, 1938; G. Carritt F. Høffding, “The Monthly Musical Record” LXXXIII, 1953; S. Bruhns, D. Fog F. Høffding’s kompositioner, Copenhagen 1969.
Compositions
Instrumental:
orchestral:
Symphony No. 1 “Sinfonia impetuosa” Op. 3, 1923
Symphony No. 2 “Il canto deliberate” Op. 5 (featuring a choir), 1924
Symphony No. 3 Op. 12, 1928
Symphony No. 4 “Sinfonia concertante” Op. 23 for chamber orchestra, 1934
Evolution Op. 31, symphonic fantasia 1939
Det er ganske vist Op. 37, symphonic fantasia, 1943
Fantasia concertante Op. 67, symphonic fantasia, 1965
Concerto Op. 22, for oboe and string orchestra, 1933
chamber:
Wind Quintet Op. 35, 1940
Familien vind for wind quintet, 1954
String Quartet Op. 2, 1920
String Quartet Op. 6, 1925
Dialoger Op. 10 for oboe and clarinet, 1927
small piano works
Vocal and vocal-instrumental:
pieces for a cappella choir
songs for solo voice and piano
Nattergal om dagen Op. 7 for soprano and small orchestra, 1925
Kammermusik Op. 11 for soprano, oboe and piano, 1927
Das Eisenbahngleichnis Op. 26 for solo voice, piano and 3 saxophones, text by E. Kästner, 1934
For voice and orchestra, including:
Karlsvognen Op. 4 for solo voice, choir and orchestra, text by J. Aakjaer, 1924
Ein Musikus wollt fröhlich sein Op. 19 for 3 solo voices and string orchestra, 16th-century text, 1931
Fem svaner Op. 28 for solo voices, choir and orchestra, text by H. Seedorff, 1937
Christofer Columbus Op. 29, chaconne for baritone, male choir and orchestra, text by J.V. Jensen, 1937
Var-Höst Op. 40, fantasia for baritone and orchestra, 1944
The Arsenal at Springfield Op. 54, fantasia for solo voices, choir, orchestra and organ, text by H.W. Longfellow, 1953
Giordano Bruno Op. 75 for baritone, male choir, wind instruments and percussion, text by P. Hein, 1968
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Kejserens nye klaeder (‘The Emperor’s New Clothes’) Op. 8, opera, libretto by the composer after H. Andersen, performed in Copenhagen
Kilderejsen Op. 16, opera, libretto by V. Andersen after L. Holberg, performed in Copenhagen 1942
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educational works for school ensembles, including Overture Op. 18, 1930, and Via nova for piano, 1954
cantatas, including the Julekantate Op. 56 for solo voices, children’s choir, violin, cello, metallophones and electronics, text by N.F.S. Grundtvig, 1955
Pasteur
Writings:
Harmonielaere, Copenhagen 1933
Den elementaere hørelaere, Copenhagen 1935, 2nd ed. 1956
Indførelse i Palestrinastil, Copenhagen 1969