Baillot Pierre Marie François de Sales, *1 October 1771 Passy (near Paris), †15 September 1842 Paris, French violinist, teacher and composer. He studied music with F. Polidori in Passy, then with F. Sainte-Marie in Paris and with F. Pollani, a pupil of P. Nardini, in Rome. Thanks to the support of G.B. Viotti, in 1791 he became the first violinist at the Théâtre Feydeau in Paris. Numerous concerts brought him fame as an excellent violinist. After studying music theory and composition with Ch.-S. Catel, A. Rejcha and L. Cherubini, Baillot became a professor at the newly established conservatory in Paris in 1795, a position he held until his death. After 1802, he undertook numerous concert tours, including to Russia, Belgium, England and Italy. In 1814, he organised the first regular chamber music concerts in Paris. Between 1821 and 1832, he was the first violinist at the Paris Opera, and from 1827, he was a soloist with the royal band.
Baillot was one of the most outstanding French violin virtuosos of the first half of the 19th century. He was an excellent teacher; his students included Ch. Beriot, J.B.Ch. Dancla and J.F. Mazas. For decades, his Kart du violin was considered an indispensable violin teaching method.
Baillot’s work represents the virtuoso tendencies of the Romantic era.
Literature: A. Pougin Pierre Baillot, “Le Ménestrel” 1872-73; W.J. von Wasielewski Die Violine und ihre Meister, Leipzig 1869, 71927; P. Soccanne Un maître du quatuor: Pierre Baillot, in: Le guide du concert, Paris 1938; Z. Jahnke, Z. Sitowski Literatura skrzypcowa. Rys historyczny, Krakow 1962.
Compositions:
Sinfonia concertante for 2 violins and orchestra, Op. 38, 1816
9 string concertos
3 string quartets Op. 34, 1805
trios for 2 violins and viola
duos for 2 violins
24 etiudes for 2 violins, Paris 1851
works for solo violin or violin and piano, including caprices, variations, and nocturnes
Writings:
Méthode de violon, with P. Rode and R. Kreutzer, Paris 1803
Méthode de violoncelle with J.H. Levasseure, Ch.-S. Catel and Ch.N. Baudiot, Paris 1805
Notice sur Grétry, Paris 1814
Notice sur Viotti, Paris 1825
L’art du violon, Paris 1834