Aichinger Gregor, *1564 Regensburg, †21 January 1628 Regensburg, German organist and composer.
In 1577 (?) he arrived in Munich, where he studied under O. di Lasso; immediately afterwards, in 1578, he studied at the University of Ingolstadt (studiosus artium). During this time, he established close ties with the Fugger family in Augsburg, and Jacob Fugger (1567–1626) was his long-time patron. Thanks to him, in 1584 he was appointed organist at St. Ulrich’s Church in Augsburg, a position he held until his death; he also organised and conducted chamber concerts at the Fugger family home.
Then, between 1585(?) and 1587, he went to Venice, where he studied under G. Gabrieli and remained in close contact with B. Donato. He spent some time in Rome. Then, between 1588 and 1593, he resumed his university studies (philosophy and theology) in Ingolstadt. He returned to Augsburg in 1593, where he established close contacts with the cathedral chapter. As a result, in 1600 he made a pilgrimage to Rome and was ordained a priest there. After returning to Augsburg, he additionally served (1600–28) as vicar of the cathedral choir, and then, from 1608, as canon of St. Gertraud’s collegiate church; he also held other positions in the hierarchy of the Augsburg church.
Aichinger’s main contribution was the introduction of sacred concertos into German music, both in the form of monumental polychoral works and monodies accompanied by basso continuo. His work shows clear influences from Italian music: initially the polychoral style of the Venetian school, Roman oratorio compositions and canzonettas, especially in Aichinger’s preferred Marian songwriting, and later sacred concertos with basso continuo in the style of Viadana.
Literature: Th. Kroyer Gregor Aichingers Leben und Werke, «Denkmäler der Tonkunst in Bayern» X, 1, 1909; Th. Kroyer Zu Aichingers Faktur-Kontrapunkten, “Caecilienvereinsorgan” XLVI, 1911; Th. Kroyer Gregor Aichinger als Politiker, in Festschrift for P. Wagner, ed. K. Weinmann, Leipzig 1926, reprint Ridgewood (New York) 1969; E.F. Schmid Gregor Aichinger, “Lebensbilder aus dem bayerischen Schwaben” I, 1952; A. Beer G. Aichinger und Ch. Erbach als Orgelgutachter in Ellwangen, “Musik in Bayern” No. 39, 1989.
Compositions
25 collections of sacred vocal works:
Sacrae cantiones… for 4–6, 8, 10 voices, 2 books, Venice 1590, 1595
Liber sacrum cantionum… for 5–8 voices, Nuremberg 1597
Tricinia Mariana… for 3–4 voices, Innsbruck 1598, 2nd edition Dillingen 1609
Odaria lectissima... for 3–4 voices, Augsburg 1600, 3rd edition 1611
Divinae laudes… for 3 voices, Augsburg 1602, 2nd edition Dillingen 1609, part 2 Dillingen 1608
Liturgica sive sacra officia... for 4 voices, Augsburg 1603
Vespertinum Virginis canticum… for 5 voices, Augsburg 1603
Ghirlanda. Di canzonette spirituali... for 3 voices, Augsburg 1603, 3rd edition 1604
Lacrimae D. Virginis et Ioannis… for 5–6 voices, ed Augsburg 1604, 3rd edition Kaliningrad 1644
Psalmus L “Miserere mei Deus”... for 8–12 voices, Munich 1605
Solennia Augustissimi Corporis Christi... for 5 voices, Augsburg 1606
Vulnera Christi... for 3–4 voices, Dillingen 1606, 2nd edition 1607
Fasciculus sacrarum harmoniarum... for 4 voices, Dillingen 1606, 3rd edition 1609
Cantiones ecclesiasticae... for 3–4 voices, Dillingen 1607 (contains notes about b.c.)
Virginalia: laudes aetemae Yirginis Mariae… for 5 voices, Dillingen 1607
Sacrae Dei laudes… for 2–8 voices, Dillingen 1609
Teutsche Gesenglein... for 3 voices, Dillingen 1609
Zwey Klaglieder... for 4 voices, Dillingen 1613
Officium pro defunctis... for 4–5 voices, Augsburg 1615 (lost?)
Triplex liturgiarum fasciculus... for 4–6 voices, Augsburg 1616
Encomium verbo incamato... for 4 voices with b.c., Ingolstadt 1617
Officium angeli custodis... for 4 voices with b.c., Dillingen 1617
Quercus Dodonae… for 2–3 voices with b.c., Augsburg 1619, 2nd edition 1621
Carolla eucharistica... for 2–3 voices with b.c., Augsburg 1621
Flores musici… for 5–6 głosów with b.c., Augsburg 1626
Vocal works were also published in anthologies of the time and arranged for instruments, including in the Pelplin Tabulature.
***
6 ricerars
6 canzonas for instrumental ensemble
toccata for organ
Editions:
Musica Divina, Annus I, Tomus II, III, IV, ed. C. Proske, Regensburg 1854–63
Ausgewählte Werke von Gregor Aichinger, ed. Th. Kroyer, «Denkmäler der Tonkunst in Bayern» X, 1, 1909