Savioni Mario, *ca. 1606 Rome, †22 April 1685 Rome, Italian composer and singer active in Rome. He was a pupil of Vincenzo Ugolini, under whose guidance he sang in the boys’ choir of the church of San Luigi dei Francesi from 1617. From 1621, he served as a boy soprano, and from 1626, an alto in the Capella Giulia, then an alto in San Luigi dei Francesi from 1631 to 1644 and in the Capella Sistina from 1642 to 1667. He made his debut as an opera singer in 1620 in Filippo Vitali’s Aretusa and performed in operas at the Barberini court and at the court of Queen Christina of Sweden. He composed mainly sacred music.
From his youth, Savioni was a highly regarded Roman singer. His best works include cantatas and sacred concertos, which are characterised by a richness of style, formal approaches and vocal cantilena. His solo motets are highly virtuosic, and madrigals were probably used as the conclusion to cantatas. In opera, Savioni shuns recitatives in favour of a succession of arias, choruses and instrumental ritornellos.
Literature: S. Franchi Il melodrama agiografico del Seicento e la S. Agnese di Mario Savioni in: La musica e il sacro, ed. B. Brumana, G. Ciliberti, Florence 1997.
Compositions:
Concerti morali e spirituali, Rome 1660
Madrigali morali e spirituali, Rome 1668
Madrigali e concerti, Rome 1672
Motetti a voce sola, Rome 1676
works in anthologies from 1652–74
Recueil des meilleurs airs italiens, III. Recueil, Paris 1703
manuscripts preserved mainly in Biblioteca Apostolica Vaticana, Biblioteca Casanatense and Bibliothèque Nationale:
approx. 180 cantatas for 1–3 voices and b.c.
opera San Agnese, libretto D. Benigni, staged in Rome 1651
3 lost oratorios:
Assedio di Samaria
La caduta di Vasti
Santa Margherita
Editions:
Fünf Madrigale, wyd. J.R. Eisley, Zurich 1972
Thirteen motets for solo voice, ed. J.R. Eisley, Northampton1972
Cantatas by Mario Savioni, Pietro Simone Agostini, facsimile edition J.R. Eisley, New York 1985
1 motet w Solo motets from the seventeenth century, facsimile edition, New York 1988
Magnificat a voce sola. Motetti a voce sola, opera quarta, Roma, 1676, ed. J. Jacobi, Bremen 2013