Panormo Edward Ferdinand, *25 December 1811 London, †3 November 1901 Brighton. He came from a family of Italian luthiers and was the son of Joseph. Between 1831 and 1835, he worked in his father’s London workshop, building guitars and, for the first time in England, banjos. After his father’s death, he moved frequently, which suggests financial difficulties. Instruments bearing his name are very rare. Not having achieved much success as a luthier, in 1865 he moved to Brighton and became a violist in the local theatre orchestra and began teaching guitar and violin.
Literature: W.M. Morris British Violin Makers, London 1904, 2nd edition 1920; Alte Meistergeigen, vol. 8, Frankfurt am Main 1982; J. Dilworth Father Figure and Future Generations, “The Strad” XCVI, 1985 and XCVII, 1986; J. Becher Fehlendes Glied in der Panormo-Saga, “Das Orchester” XXXVI, 1988; T. Baker, J. Dilworth, A. Fairfax The British Violin: 400 Years Of Violin Making In The British Isles, British Violin Making Association, London 2003; G.P. di Stefano Documentary Evidence Concerning the Early History of Vincenzo Trusiano and the Panormo Family of Instrument Makers in Italy, “Journal of the Violin Society of America” XXIV/2, 2014; A. Fairfax Panormo: The Life and Work of Vincenzo and His Sons, An Exhibition Catalogue, 2016; B. Hebbert Joseph Panormo, “Violins and Violinists”, https://violinsandviolinists.com/joseph-panormo; Ph.J. Kass Identifying Some General Characteristics of Each of the Panormo Violin Makers’ Workmanship, “Strings Magazine” 2017 No. 272; Ph.J. Kass Vincenzo Panormo’s Effect on the Trade, the Craft & Place in the Modern Market, “Strings Magazine” 2017 No. 272; A. Fairfax In Focus: A c.1800 violin by Joseph Panormo, “Strad” XXII, 2023.