Mengelberg Curt Rudolf, *1 February 1892 Krefeld, †13 October 1959 Beausoleil (near Nice), Dutch musicologist and composer, nephew of Willem. He studied musicology with H. Riemann in Leipzig (he received his doctorate in 1915). He then settled in Amsterdam, where he studied composition under C. Dopper and his uncle. He was professionally involved with Concertgebouw. In 1917, he took up the post of artistic assistant there, in 1925 worked as artistic manager, and in the years 1935–1954 was director of the institution. The festival of all Mahler’s orchestral works, which he organised 1920 in Amsterdam, was judged to be a great musical event. Mengelberg composed mainly vocal works in the Romantic style. These are often compositions for religious texts combining features of Verdi’s dramas (the important role of the orchestra in shaping the expressiveness of the works) and elements of Gregorian chant. Mengelberg’s writing output is notable for his work on the role of music in Christian culture (Muziek, spiegel des tijds).
Literature: W. Paap Dr. Rudolf Mengelberg zestigjaar, “Mens en melodie” VII, 1952.
Compositions:
Instrumental works:
Symphonic Variations for cello and orchestra, 192
Violin Concerto, 1930
Capriccio for piano and orchestra, 1936
Concertino for flute and orchestra, 1943
Concerto for horn and orchestra, 1950
Vocal and instrumental works:
Requiem for solo voices, choir and orchestra, 1924
Weinlese for tenor, choir and orchestra, 1928
Hymne op Amstelredam for choir and orchestra, 1935
Stabat Mater for solo voices, choir and orchestra, 1940
Victimae paschali laudes for solo voices, choir and orchestra, 1946
Essays and writings:
Giovanni Alberto Ristori, Leipzig 1916 (doctoral dissertation)
Dos Mahler-Fest Amsterdam. Mai 1920, Vienna 1920
Gustav Mahler, Leipzig 1923
Holland als kulturelle Einheit, Leipzig 1928
50 jaar Concertgebouw, Amsterdam 1938
Muziek, spiegel des tijds (‘Music, Mirror of Time’), Rotterdam 1949