Chołoniewski Marek, *23 October 1953 Krakow, Polish composer. He graduated from the State Higher School of Music (PWSM) in Krakow: in 1977 in organ performance under L. Werner, and in 1979 in composition and music theory under B. Schaeffer. Since 1976 he has worked at the Electroacoustic Music Studio of the Academy of Music in Krakow, from 1989 as an assistant professor. Founder of the artistic association “Muzyka Centrum” (Kraków 1977), co-founder of the groups Go-Go Boys (1985) and Pociąg Towarowy (together with K. Knittel and P. Bikont, 1986). In 1989, together with K. Knittel, he founded the ensemble Studio CH & K. Organizer (since 1986) of the Audio Art concert series held annually in Kraków; since 1993 director of the Audio Art Festival. From 1993 Chołoniewski has also been deputy director of the Internationale Akademie für Neue Komposition in Schwaz (Austria); since 1990 he has conducted courses in computer music in Austria, Germany, Sweden, the United States, and Canada. In 1987 his first monographic concert took place in New York.
Both the specificity and diversity of Chołoniewski’s output make it difficult to classify his compositional style unequivocally. From his earliest years he has been primarily involved in the relatively new field of electroacoustic and computer music, rarely turning to purely instrumental genres. The guiding principle of his work is openness to diverse artistic ideas and technical solutions, which allows him to avoid schematism and continuously renew his compositional technique. A very important element of his works is a certain “initial” idea, a concept or component determining the shape of the piece; this can be observed not only in works intended for electroacoustic media, but also in instrumental and vocal-instrumental compositions (Amput). Chołoniewski belongs to a circle of artists operating at the intersection of music and other arts. In recent years he has been particularly intensively involved in projects of so-called sound installations and performance.
Last Dreams Going Through the Hair for string sextet, 1975
Assemblages for specific performers, 1975
Citroblage for solo headphones, 1975
Pizza for orchestra, 1976
ID, list otwarty do Olgi Szwajgier for solo soprano, 1977
Soprano Quartet for soprano saxophone and 3 sopranos, 1977
gmb 78 for viola da gamba, 1978
Amput for contralto and 3 instruments, 1979
Proces dla K. for tape, 1979
La Cumparsita (hki…) for tape, 1980
Rag, Rag, Rag for tape, 1983
Swinging Parameters for oboe, violin, synthesizer, and tape, 1984
The Same Fire for All for tape, 1985
Here and There for piano, synthesizer, and computer, 1986
Follow Me II for synthesizer and computer, 1987
Ears, Nose and Eyes, sound installation, 1988
Follow, Follow for oboe quartet, orchestra, and computer, 1988
Wysyg for light and computer, 1988, performed at the Warsaw Autumn 1994
Switched On… for objects and computer, 1989
Switched Off… for instruments and computer, 1990
Like Breathing for instruments and computer, 1991
Piękna i Bestia for voice, light, and computer, 1992
Doubles for voice, light, and computer, 1993, performed at the Warsaw Autumn 1994
Picture Persual, interactive system, 1993
Silber for wind orchestra, chamber ensemble, dancers, light, and computer, 1994
Sha’ba del’mana, ballet, 1994
Lightning, interactive installation/performance, 1995
Hypermeable Objects sound installation, 1996
River Dart for voice, light, and computer, 1995
Etiuasmehrlightning sound installation, 1997
Etwas anderes for percussion and computer, 1997